"White... is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black.... God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints with white.   
                                                                                              - Gilbert Keith Chesterton


As we celebrate our nation’s freedom this Fourth of July, we thought it would be appropriate to tell the story of another freedom Linda recently experienced while designing this red, white and blue bedroom: freedom from her fear of white.


Red, White and 
Blue Bedroom
 
Linda Applewhite loves color. Warm colors, cool colors, bold colors, soft colors. They speak to her and she responds. Color informs her sensibilities, her art, her design, her life. So when a client recently broke the news that her vision for her bedroom included a white bed, Linda was at a loss for words - and that doesn’t happen often. “I tried to talk her out of it,” Linda says now, laughing. “I’m the one who is always teaching people not to be afraid of color, but the truth is, I was afraid of white.”
 
Why the fear? While white may be perceived as the absence of color, as Chesterton's quote suggests, scientifically it is really the presence of all color, and therefore reflects all color, making it the "shining and affirmative thing" he reveres. White goes with everything. But we’ve all seen white rooms, even tone-on-tone rooms that are, shall we say, less than interesting.
 
So Linda’s old pal the color wheel couldn’t help her on this one. No analogous apricots waiting nearby to create harmony with their golden sisters, no chartreuse to reach across and make its complementary violet pop. There’s no white on the color wheel, so there are no analagous harmonies or complementary partners to be found... or so she thought.
 
But wanting to honor her client’s vision for her bedroom, Linda turned to her other design principles for inspiration. She and her client had already chosen a beautiful Turkish Oushak rug, and Linda had intended to use the red and blue in the rug as the palette for the duvet cover, pillows and window treatments. Switching gears, she instead looked for white fabrics that had patterns and textures that related to those in the rug and other elements in the room, with just a touch of color in the blue dotted window treatments and red and blue bed pillows for contrast. Her client was thrilled with the result and, much to her surprise, so was Linda.
 
“I really wasn’t sure it would work. To use white so broadly when it doesn’t appear in the rug - the foundation of the room - was risky,” explained Linda. “But white goes with any color. It’s serene, yet it pops and is bold, and can still have interest and whimsy by using vibrant patterns and textures and mixing it with other colors. I guess it’s true what Richard Bach said. We teach best what we most need to learn, and I really learned to love and appreciate white. It is not a lack of color, but in fact an abundance of color."
 
The moral of the story is: Celebrate your freedom of choice.
Explore your vision and never, ever fear color!
 

Good Design Repeats Itself:
Linda's trusted mantra at work with white

Linda didn’t think an expanse of white would work with the darker neutral background in the Oushak rug. She always purchases the rug first to form the color foundation of a room.
Creamy 
Coverlet
In the sumptuously textured duvet cover, whimsical flowers  and dots repeat shapes and neutral tones found in the rug, bedposts and lamps.



 
 
 
Have a Colorful 4th of July and
Many Blessings to All of You!
 
 
Three 
ppillows
Circles, triangles and curvy ruffles relate to patterns in the window treatments, lamps and nightstands, with accents of blue and red pulled from the rug’s palette.